Jacopo Bassano
Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique. Related Paintings of Jacopo Bassano :. | Christ Driving the Traders from the Temple | The Animals Entering the Ark | The Crucifixion | Adoration of the Magi | The Adoration of the Shepherds | Related Artists: Hugh Bolton JonesAmerican Painter, 1848-1927 ZUCCARO FedericoItalian Mannerist Painter, ca.1542-1609
..Painter, draughtsman and writer, brother of (1) Taddeo Zuccaro. Having been invited to Rome by his brother, between 1555 and 1563 he worked with Taddeo on various projects including the Villa Farnese at Caprarola and the Pucci Chapel in Trinit? dei Monti, Rome. Many of Federico's drawings for both commissions show Taddeo's influence. According to Vasari, Taddeo supervised his brother's early work, which created friction between them. In 1558, for example, when they collaborated on painting the fa?ade of the house of Tizio da Spoleto with scenes from the Life of St Eustace, Taddeo retouched some of his brother's paintings, so offending Federico. Already at 18 Federico was commissioned to paint many works at the Vatican: the Transfiguration, the Marriage at Cana and other scenes from the Life of Christ for the decorations (part destr.) of the Casino of Pius IV; Anne-Louis Girodet de Roussy-Trioson(also given as Anne-Louis Girodet de Roucy-Triosson, Anne-Louis Girodet-Trioson) January 5, 1767 - December 9, 1824), was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
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